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Short Bio

Born and raised in Macau, Eric received his BA, MA, and PhD in English Studies from the University of Macau. He also holds a TESOL professional certificate from the University of California, Santa Barbara (UCSB). Eric has substantial experience in tertiary education in Macau, teaching General and Academic English, as well as various courses in literary and cultural studies. His research interests include Asian American Studies, Drama and Theatre, Cultural Studies, and Gender Studies.

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Publications

Kong, I. C. (2022). Revisiting theatre of the minoritarian in neoliberalism: The Embodied Memories in Denise Uyehara’s and Dan Kwong’s Auto-performances. Rupkatha Journal on Interdisciplinary Studies in Humanities, 14(1), 1–12. https://doi.org/10.21659/rupkatha.v14n1.10

Kong, I. C. (2021). “A Sick Way of Thinking?”: The Unorthodox Dramaturgy of Young Jean Lee’s Identity Politics Theater. The Asian Journal of Literature, Culture, Performance, 1(2), 1–30. https://www.dlsu.edu.ph/wp-content/uploads/pdf/research/journals/akda/issue1-2-2-chun-kong-052921.pdf

Kong, I. C. (2020). Performing Refugee’s Body and Memory: Poetics of Diaspora in Lê Thị Diễm Thúy’s Autoperformance. The Rupkatha Journal on Interdisciplinary Studies in Humanities, 12(5). https://dx.doi.org/10.21659/rupkatha.v12n5.rioc1s21n1

Kong, Io Chun. “COVID: Karma in Macao.” CUNY Forum, vol. 8, no. 1, 2020, https://aaari.info/cuny-forum-8-kong/

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